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His chordal voicings became more impressionistic, reminiscent of classical composers such as Debussy, Ravel, Scriabin, and Satie, as well as moving away from the thick block chords he often utilized when playing with Davis. His sparse left-hand voicings supported his lyrical right-hand lines, as much a product of the influence of jazz pianist Bud Powell as any classical composer
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Tags: jazz
Homepage: www.billevanswebpages.com
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